Entertainment
Kendrick Lamar’s ‘GNX’: closes chapters, embraces self-reflection, and reminisces on Lamar’s past
Angelina Chung, Staff Writer
• December 18, 2024
That’s my line: a “Wicked” vocal journey
Landen Nguyen, Staff Writer
• December 18, 2024
You are the light “CHROMAKOPIA”: Tyler, the Creator’s long anticipated return
Wyatt Virag, Staff Writer
• December 6, 2024
New Jersey’s ocean waves find their way to the Goodson Theater
Josephine Scannell, Staff Writer
• December 4, 2024
Joker sequel challenges understanding of Arthur Fleck
Mandy Rong, Staff Writer
• October 30, 2024
‘Moon Music’: Coldplay’s cosmic comeback
Ellena Hernandez, Staff Writer
• October 30, 2024
How Beetlejuice Beetlejuice takes its place among other mediocre sequels
Josephine Scannell, Staff Writer
• October 3, 2024
Destroy Lonely fails to break new ground in rap scene with release of “Love Lasts Forever”
Mark Chammas, Editor in Chief
• October 2, 2024
How to have a Pinterest-worthy evening in Mid-Wilshire
Sophia Pu, Editor in Chief
• May 30, 2024
Is there a big me? Drake-Kendrick Lamar feud dominates the rap industry
Angelina Chung, Contributing Writer
• May 29, 2024
Review: Megamind vs the Studio Syndicate
Isaac Chan, Staff Writer
• May 6, 2024
Bryson Tiller transforms R&B genre with release of self-titled album
Mark Chammas, Staff Writer
• April 29, 2024
Josephine Scannell, Staff Writer • December 18, 2024
Isaac Chan, Production Chief • December 18, 2024
Liliana Simpson-Castaneda, Staff Writer • December 18, 2024
Angelina Chung, Staff Writer • December 18, 2024
Landen Nguyen, Staff Writer • December 18, 2024
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