Entertainment
‘MAYHEM’ is Lady Gaga’s exciting return to pop, connecting the old with the new
Liliana Simpson-Castaneda, Staff Writer
• March 20, 2025
Turn the TV-Off: Kendrick Lamar’s revolutionary Super Bowl Halftime performance
Angelina Chung, Staff Writer
• February 26, 2025

One of Them Days: A hilarious and heartfelt comedy
Kelsey Mak, Staff Writer
• February 1, 2025

Four cuisines, one city: A look at different eateries across San Gabriel
Liliana Simpson-Castaneda, Staff Writer
• February 1, 2025

Kendrick Lamar’s ‘GNX’: closes chapters, embraces self-reflection, and reminisces on Lamar’s past
Angelina Chung, Staff Writer
• December 18, 2024

That’s my line: A “Wicked” vocal journey
Landen Nguyen, Staff Writer
• December 18, 2024

You are the light “CHROMAKOPIA”: Tyler, the Creator’s long anticipated return
Wyatt Virag, Staff Writer
• December 6, 2024

New Jersey’s ocean waves find their way to the Goodson Theater
Josephine Scannell, Staff Writer
• December 4, 2024

Joker sequel challenges understanding of Arthur Fleck
Mandy Rong, Staff Writer
• October 30, 2024

‘Moon Music’: Coldplay’s cosmic comeback
Ellena Hernandez, Staff Writer
• October 30, 2024

How Beetlejuice Beetlejuice takes its place among other mediocre sequels
Josephine Scannell, Staff Writer
• October 3, 2024

Destroy Lonely fails to break new ground in rap scene with release of “Love Lasts Forever”
Mark Chammas, Editor in Chief
• October 2, 2024

Ana Jurado, Staff Writer • March 24, 2025

Mark Chammas, Editor in Chief • March 24, 2025

Angelina Chung, Staff Writer • March 21, 2025
Liliana Simpson-Castaneda, Staff Writer • March 20, 2025

Karina Vargas, Staff Writer • March 18, 2025
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