R&B artist Daniel Caesar’s new 12-track album, “Son of Spergy,” was released on Oct. 24, and I tuned in to see whether this album lived up to his previous work. This new album explores themes of self-discovery, spirituality, and the role his father played in his life. The album’s title has a unique origin; it stems from his father, whose nickname was “Spergy,” making Daniel Caesar the “Son of Spergy.”
This album is an homage to both Caesar’s spirituality and his father. The cover features a picture of his father, Norwill Simmonds, who is featured on “Baby Blue,” track four of the album. Simmonds, a former pastor and gospel singer, influenced not only this album but Caesar’s overall musical style. While this album stands apart from his earlier work, it is not unexpected or unrecognizable. It fits within his established sound but adds a more personal twist.
When I listened to this album, I felt transported by its psychedelic qualities. It felt like a powerful emotional journey—something out of a coming-of-age film. Most of the songs carry a calming, angelic feel; Caesar’s background and musical roots shine, while his experimentation with new sounds expresses his creativity. Listeners do not experience Daniel Caesar’s music just to hear it—they feel it.
The opening track, “Rain Down,” immediately establishes the album’s spiritual tone. Inspired by his father’s gospel roots, the song is rich in gospel and soul influences. This spiritual essence carries into other tracks, like “Baby Blue,” with its choir-like background vocals that feel as though angels themselves are singing.
The album also includes a few previously released singles. “Have a Baby (with me),” released on July 25, and “Call On Me,” released on Aug. 22, are tracks two and three, respectively. These songs stand out from the rest with their upbeat grooves, shifting the focus slightly to love and relationships, while still maintaining the album’s emotional depth.
Bon Iver, a popular indie and alternative artist, is featured prominently throughout the album. Their contributions lean heavily on piano and a softer tone. Their collaborative track, “Moon,” was released as a single on Sept. 23 and appears as track seven. These collaborations are among my favorites; the melancholic notes and waves of nostalgia are utterly enchanting.
The final track, “Sins of the Father,” also featuring Bon Iver, brings the album full circle. This seven-minute track encapsulates the album’s theme with its powerful double meaning: a tribute to his own father and a return to spiritual roots. It is a heartfelt conclusion that ties the narrative threads together beautifully.
Overall, the album is touching and transformative. Listening feels like being invited into Caesar’s personal journey of growth and self-discovery. This album stands out not only because of its inspiration and meaning but because of how candid and raw it is. “Son of Spergy” nourished not just my ears, but my soul.
